I’ve been so busy recently I haven’t had chance to blog about my latest creation! It’s an audio trail I produced for Alarum Productions with sound designer Sam Frankie Fox.
View from Windmill End Bridge today (photo by Brenda Ward)
Stewarts & Lloyds, Coombeswood, 1972
‘The Netherton Cut to Coombewood’ celebrates the history of the Dudley No 2 Canal, based on a 2.5 mile walk between Windmill End Junction and Coombes footbridge.
It features oral history interviews, music, historical information, poetry from me in Black Country spake and much more!
Click here to listen to the audio trail which lasts around 23 minutes.
I also did an interview about it with Jason Forrest for the Milk Bar podcasts. You can listen (from 26:25) on Podbean or watch on YouTube.
While I’m here, would you like to come to my next online writing workshop? It’s on Thursday June 24th, 2:00-4.00pm.
Rhythm in your fingers, rhythm in your feet.
From di-Da di-Da to tiddley-pom, we will play with syllables and stresses to give our writing a sense of rhythm. After looking at examples in song lyrics and poetry, we will write our own poems, both individually and as a group.
Here’s a link to find out more.
Having blogged about the three other artists I commissioned – Alex Vann, Al Barz and Lou Blakeway, it’s time to tell you about my pieces, commissioned by Creative Black Country. Here’s the first:
It was so good to have a creative project to get on with during the first lockdown. My car MOT was due, so I drove to Pym’s garage in Netherton, Dudley which I’ve been using since I first had a car. I was a bit nervous about being out but it was an opportunity to walk along the canal behind the garage in an area which has been landscaped, belying its industrial past. Warren’s Hall, Bumble Hole, Windmill End… this picturesque area has several names, and on this particular day the reflection of the latticed arches and the cloud formations attracted my attention. So I took lots of photos. Here are some of them:
Up to that point I hadn’t decided what I would write about for either of my Bostin News commissions. I knew I wanted to focus on Dudley, and as I took these photos it occurred to me that these three bridges would make a good subject. That’s how I came to write Three Bridges, Four Tunnels.
I used Canals of Birmingham and the Black Country, No. 2 in the Historical Canal Maps series, as well as consulting online sources, to help me learn about the history of the area. Although I had been there many, many times over the years, I didn’t know much about the industry or the full story of why the canal arms which travel under two of the bridges are dead ends. Using the bridges as starting points, I wrote a set of three poems and was lucky enough to be able to commission Lou Blakeway to create some atmospheric linocuts of the bridges to go with them. Click the link above to see the video, the linocuts and the the text of the poem.