Heather Wastie writes poems, songs & monologues. This blog began with her oral history project with people who worked in the carpet industry in Kidderminster. Her carpet industry related pieces appear on this blog and in her book http://blackpear.net/authors-and-books/heather-wastie/
‘…the timeless quality of the stories and descriptions of village events make it just as much a love letter to every village community in Britain.’
This lovely review (see below) was published in Towpath Talk (January 2020). I hope it’s big enough for you to read! You can also read it on the Lapal Publications website where copies of the book are on sale.
At this difficult time, I hope these words and illustrations (both in the review and in the book) brighten your day. Wishing you a Happy New Year wherever you are.
Having blogged about the three other artists I commissioned – Alex Vann, Al Barz and Lou Blakeway, it’s time to tell you about my pieces, commissioned by Creative Black Country. Here’s the first:
It was so good to have a creative project to get on with during the first lockdown. My car MOT was due, so I drove to Pym’s garage in Netherton, Dudley which I’ve been using since I first had a car. I was a bit nervous about being out but it was an opportunity to walk along the canal behind the garage in an area which has been landscaped, belying its industrial past. Warren’s Hall, Bumble Hole, Windmill End… this picturesque area has several names, and on this particular day the reflection of the latticed arches and the cloud formations attracted my attention. So I took lots of photos. Here are some of them:
Up to that point I hadn’t decided what I would write about for either of my Bostin News commissions. I knew I wanted to focus on Dudley, and as I took these photos it occurred to me that these three bridges would make a good subject. That’s how I came to write Three Bridges, Four Tunnels.
I used Canals of Birmingham and the Black Country, No. 2 in the Historical Canal Maps series, as well as consulting online sources, to help me learn about the history of the area. Although I had been there many, many times over the years, I didn’t know much about the industry or the full story of why the canal arms which travel under two of the bridges are dead ends. Using the bridges as starting points, I wrote a set of three poems and was lucky enough to be able to commission Lou Blakeway to create some atmospheric linocuts of the bridges to go with them. Click the link above to see the video, the linocuts and the the text of the poem.
As Creative Black Country #BostinNews editor, I commissioned three artists. I’ve already shared work by Alex Vann and Al Barz. The final work is by visual artist, Louise Blakeway.
Lou Blakeway lives in Sandwell. Her work is concerned predominantly with form, space, line and colour. During lockdown she began drawing what she could see in and around her house and recording her immediate surroundings, sometimes making pigments from plants and earth. She shares her art on Instagram through her own page and that of General Office Gallery. Do take a look. I love her work.