Heritage Open Day performances on Saturday

The annual Heritage Open Days are free events in September designed to celebrate heritage, community and history. This coming Saturday, September 9th, I will be part of Kidderminster’s contribution to this nationwide festival, giving performances of songs I have written about the newly restored Weavers’ Cottages and others which tell the stories of people who worked in the carpet industry. Click here for a recording of one of those songs, Tying the Knot.

Here’s the schedule:

10.30 outside Town Hall 15 minutes
11.00 inside Town Hall (Corn Exchange) 30 Minutes
12.45 outside Town Hall 15 minutes
2.00 inside Town Hall (Corn Exchange) 30-40 minutes

All performances inside if it’s wet outside!

There will be lots to see inside the Town Hall too.

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#TheIdleWomen tour begins!

I’m about to embark on a 49-show tour of Idle Women of the Wartime Waterways – an Arts Council funded double bill with writer/performer Kate Saffin. Although I’ve spent many holidays travelling on a 70ft narrow boat, this will be a very new experience! I will be blogging about it on the Alarum Theatre website www.alarumtheatre.co.uk so may go a little quiet on my own blog.

To find out a bit more about this work, see/hear these interviews:

A BBC London interview with myself and Kate  click here
An interview (just me) in Theatre Weekly  click here

And have a look at the Alarum website which has all the dates and lots of information.

Wish us luck, and I hope to see you at one of the shows!

IWWW 2017 e-flyer

The crew at Fishery Wharf

Narrow boat Tench with L to R: Steerer Heather, performer Kate, owner & steerer Alex, performer Heather

#TheIdleWomen Recreating the Journey

My collaboration with writer, Kate Saffin, has gone from strength to strength since we first met, just a year ago! Our show Idle Women of the Wartime Waterways is about to embark on a major Arts Council funded tour, travelling by canal, recreating the journey worked by women trainees during WW2.

IWWW 2017 e-flyer

To read an article about us in the quirkily named online magazine, The Floater, click HERE or to go to the Alarum Theatre website click HERE.

Changing a space for ever 

A performance can change a space for ever. When ‘engagement and creative arts warrior’ Rachel Sharpe said words to this effect, I was struck by the truth of it. Having toured Idle Women of the Wartime Waterways to venues unused to hosting performances, I knew what she was getting at.

A good example is the Wildside Activity Centre in Wolverhampton, alongside the Staffs & Worcs Canal. The room was laid out for us to perform against the short wall of their rectangular space, the ‘top’ of the room – a wall cluttered with displays and other bits and pieces – but we chose the long wall which had several windows. We asked for the chairs to be arranged in a wide arc so that people could see us more easily, and we drew the curtains which created a simple dark backdrop without distractions. The organisers had never hosted a theatrical show before and were very accommodating. At the end of the evening, the Centre’s Project Leader, Steve, looked up at the strip lights and commented that for future events of this nature, it would be good to improve the lighting to make it more atmospheric. So a space previously seen only as an ‘activity room’ now has an added dimension as a theatre, and the success of our show has encouraged them to put on more events of this nature.

Wildside Activity Centre, Wolverhampton


There are other venues where we didn’t feel as if our hosts had noticed that they could easily have done more to give us a quiet space where we wouldn’t have to compete with, for example, the ring of a till or loud conversation. A pub which hasn’t hosted theatre before won’t necessarily have realised that it’s not appropriate to book people in to have a meal during the show. It may not occur to them that clattering cutlery and the necessity to communicate over dinner orders is not ideal for audience and artists alike! Some hosts will have taken things like this on board for the future and others not.

Not only does a performance change the space, but the audience changes the performance. A large responsive audience in a compact space gives a virtual sounding board which lifts us. Concentration was harder when we had: a sprawling audience with people chatting at the back, a bloke in the second row holding up a device to take photos or a video, wandering and/or barking dogs, a drunken woman (who was really enjoying the show), a man in a loud shirt whose phone had a very loud ringtone …. Every performance feels different and has its own quirks, not least because of the venue and the audience, and taking theatre to non-arts spaces means working round all sorts of inconveniences whilst hoping to develop use of that space and raise awareness of how arts events can work well in community venues.

Some people have come to see our show at least twice and have said it’s even better the second time, which is good to know! Tomorrow night we’re at Theatre in the Dock in Banbury when there will be a special announcement about our exciting plans for 2017. Next year there will be opportunities for our show to have an impact on new spaces, as we take audiences into another world where much of their surroundings are imagined: the back of a boat, a pub, a lock, the towpath, top planks, tarpaulin, sirens, doodlebugs … and lots of women!

For details of our forthcoming London shows and for more information, go to the Alarum Theatre website.

#idlewomen autumn tour news!

I’m delighted to announce that ABNB Boat Brokerage will be supporting Alarum Theatre’s Autumn tour of Idle Women of the Wartime Waterways! http://www.abnb.co.uk/

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Wednesday 7th Sept – 7.30pm • Garden of Camp House Inn, Grimley, WR2 6LX, 01905 640288 – In association with The Worcestershire Literary Festival & Fringe

Saturday 10th Sept – 7.30pm • The Windlass Cafe and Restaurant, Stourport, DY13 9EN, 01299 871742 – In association with Stourport Heritage Open Days, Stourport Canal Basin

Thursday 15th Sept – 7.30pm • The Folly Inn, Napton on the Hill, CV47 8NZ, 01926 815185

Friday 23rd Sept – 7.30pm • The Wildside Activity Centre, Wolverhampton, WV6 0HA, 01902 572240

Sunday 25th Sept – 1.30pm • Wolverhampton Boat Club, Codsall, Wolverhampton, WV8 1RS, 07977 101411

Friday 30th Sept – 7.30pm • Theatre in the Dock, Tooley’s Boatyard, Banbury, OX16 2PQ, 01295 272917

* Saturday 1st Oct – 2.30pm • Theatre in the Dock matinee, Tooley’s Boatyard, Banbury, OX16 2PQ, 01295 272 917
– Includes a wartime tea!

* Mon 28th & Tues 29th Nov – 7.30pm • The Rosemary Branch Theatre, Hoxton, N1 3DT, 020 7704 6665

* indicates a ticketed event (see www.alarumtheatre.co.uk for details) otherwise free entry with donations to support the artists

 

Photos from our Summer Tour:

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Didn't they have a lovely time at The Bonded Warehouse 29 June 2016

Poo Stick Parade

My poem Poo Stick Parade was written after a walk along the Staffs and Worcester Canal during which I encountered the most noisy group of walkers I have ever come across. It was published on this site for humorous poems yesterday http://www.spillingcocoa.com/poo-stick-parade-by-heather-wastie/

This week I’m doing 2 performances at venues alongside the same (very beautiful) canal. Kate Saffin and I are presenting Idle Women of the Wartime Waterways at Ashwood Marina tomorrow night and the Eagle & Spur Cookley on Wednesday. Both performances start at 7.30. See Idle Women Midlands Tour for full tour details.

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Kate & Heather, Cookley, Staffs & Worcs Canal

I had a gift

To mark my final day as The Worcestershire Poet Laureate, here’s the sonnet which (I’m told) wowed the judges a year ago. I’ll be performing it again tonight alongside the winner of this year’s competition. Whichever of the 3 excellent finalists takes over, I know they will make the most of their own poetic gift.

I had a gift

I had a gift, a flush of fragrant flowers,
a wild bouquet tossed carelessly into
a slender vase, so crammed with colour, full
of bursting buds, each of them beautiful
but standing so unruly, heads askew,
competing for the sun’s receding hours.

These fresh, young beauties wooed me as I stood
to contemplate the many ways I could
arrange them. Since no teacher ever taught
such vital skills, I gave it years of thought.

As one by one the weaker blossoms failed,
my task was rendered easier by the day
and when the final bloom had drooped and paled,
an empty vase was gently borne away.

© Heather Wastie