Heather Wastie writes poems, songs & monologues. This blog began with her oral history project with people who worked in the carpet industry in Kidderminster. Her carpet industry related pieces appear on this blog and in her book http://blackpear.net/authors-and-books/heather-wastie/
Next Thursday, 11th February, 7.00-8.00pm, I’ll be taking part in this online event:
Behind the Tongue and the Talk – panelists talk about their role in the creation of the Black Country edition of the BBC Radio 4 programme ‘Tongue and Talk – The Dialect Poets’. Join City of Wolverhampton Poet Laureate, Emma Purshouse, as she natters to actress, writer and series producer Catherine Harvey, poet and playwright Brendan Hawthorne (Poet Laureate for Wednesbury), singer songwriter and poet Heather Wastie, along with dialect expert Esther Asprey. Expect discussion about our local vernacular, with some Black Country dialect poetry and song thrown into the mix.
As you may have guessed, you’ll be getting some poetry and a song from me, plus some canting (which has absolutely nothing to do with being hypocritical, pious or righteous). If you’re from the Black Country, you’ll know what I’m talking about; if not, do tune in and find out! Here’s the link for more details and to book.
Tomorrow at 4.30pm, you can hear writer, performance poet, Wolverhampton Poet Laureate and good friend Emma Purshouse exploring Black Country dialect on BBC Radio 4.
In a programme made during lockdown, Emma considers the impact of industry, heritage, landscape, and the changing nature of close-knit communities upon dialect writers, of whom I am one. I’m really looking forward to hearing which bits of our interview she selected for inclusion. There’s definitely a poem – I know that much. And it will be great to hear the voices of lots of folk I know too. Do join us by tuning in tomorrow at 4.30 or listening when you have half an hour to spare. Here’s the link:
Last Friday was the final show of #TheIdleWomen Summer tour — another water-borne adventure! To see some highlights, do visit the Alarum Theatre Facebook page.
“Roll Up! Roll Up! Roll Down! Roll Down!” * During the tour Kate Saffin and I were interviewed by Sony-award winning David Bramwell for Waterfront, a monthly podcast from the Canal & River Trust, dedicated to the stories, people and heritage around England and Wales’ historic waterways. Here’s the link to listen. It lasts 16 minutes and includes one of my poems and an extract from one of my songs.
* Our potential audience were above us on a slight hill.
Living Waterways Awards We’re absolutely delighted that the Alarum Theatre 2017 tour The Idle Women: Recreating theJourney is one of the finalists in the Living Waterways Awards. The winners are announced on 20th September. Fingers crossed!
A photo I took when we were on the beautiful Chesterfield Canal
Kate took this one at the bottom of the spectacular Bingley Five Rise on the Leeds & Liverpool Canal
I’ve featured on Genevieve’s lovely show in the past, but not for ages. I sent her a copy of the Tales from the Weavers’ Cottages CD and she played a track during this episode. It was a joy listening to the whole programme. She takes time to talk about the background to each track she plays, and is a generous interviewer, as you can tell from the interview on this programme.
I suggest you sit back, relax and soak it all up!
And if you would like to hear all of the Weavers’ Cottages songs, follow this link.
On Remembrance Sunday, I am very pleased to have been able to highlight the role the Women’s Training Scheme played in the war effort on the British canals. The work I have been doing with Alarum Theatre, telling the stories of these mainly middle class women, will feature on BBC Countryfile this evening at 6.20pm on BBC1. Also included will be Kathryn Dodington whose aunt Daphne March (Daffy) carried cargo throughout World War 2 on her family owned boat, Heather Bell. As Kathryn told me, Daffy’s motivation for doing this work was ‘service’. It is also important to remember the women of the working families who didn’t have the choice; this is what they were born to, and they just got on with it. Our show Idle Women of the Wartime Waterways gives an insight into the lives of all these women.
In remembrance of the working women today, I am sharing a few lines from my piece Hillmorton Locks. This section was written after speaking to Ron who told me the story of his birth:
Emma Humphreys, expecting twins, a boat-load of coal, her labour begins, the war is on, the shrapnel flies, the cabin’s tiny, her youngest cries.
Two men to thank, Albert and Ron make sure they’re safe till danger’s gone; under a bridge, twin boys are born, named after the men who saved their skin.
At the end of October I spent the day filming for BBC Countryfile with Kate Saffin for a feature on The Idle Women whose stories we re-tell as touring company, Alarum Theatre. The programme is being aired on BBC1 this coming Sunday at 6.20pm. Here’s how the day went.
We assembled in the Museum cafe at Stoke Bruerne at 8.45am on a cold but dry day, and it was decided that the first job was to film me performing two of my poems – Idle Women and Judies and Heather Bell. The second of these was chosen because it’s all about Daphne March whose niece Kathryn Dodington was also being filmed for the programme. She didn’t have far to walk because she lives in one of the canalside cottages. Mind you, she had already got the fire going on Sculptor, ready for our trip down (and up, and down, and up) the locks once the poems had been filmed.
Idle Women and Judies
Here you can see Ian with the fluffy microphone, Steve behind the camera and Simon, the producer, looking down at the shot as it is being filmed.
Filming Heather Bell
We waited in vain for an intermittent and rather loud noise coming from the other side of the towpath and eventually had to abandon filming in this location. The poem was recorded later in the day on board Sculptor with Kathryn nicely positioned in the background as she steered. Sadly, neither of the poems made the final cut because there simply wasn’t enough time to pack everything in.
Having shown presenter Ellie Harrison how to work a lock (she was completely new to this) we chatted to her on board Sculptor as Kathryn steered through the other locks with a crew of Canal & River Trust volunteers. Kathryn was a stalwart, winding the boat (ie turning it round) then steering it up the locks again. While one of the volunteers took Sculptor off and winded it again we stopped for lunch (and to warm up) in the Museum cafe. After lunch we set off down the locks again, leaving the boat once we had finished recording so that we could get to Enslow for our evening show and the crew could focus on interviewing Kathryn who had some wonderful stories to tell. In case you’re wondering, the blue barrel in the hold is ballast. This is where the heavy cargo would have been.
All in all we had a really good time. Thanks to lovely researcher Debs for sending us the photos! And thanks to Canal & River Trust, Kathryn Dodington and the hardworking volunteers for making the day possible.
You may have seen the series of Nationwide Building Society tv ads which has been running for a while now, featuring poets performing their own work. Well now it’s my turn. I was one of several poets contacted by The Poetry Takeaway and commissioned to write poems fitting a brief to do with mums and sons. I was asked to write 2 poems, one lasting 30 seconds and the other just 10 seconds and film them on my phone. Of the poems written, mine were chosen to be filmed by VCCP to be used on tv and in cinemas if all went well. So ….
I travelled down to London by train from Kidderminster then got in a taxi to Bexley Heath, a bit of a nightmare journey as it coincided with the tube strike. Then I spent a day in a vast allotment recording my poems over and over again, outside at first, then in a car when the weather turned. In the morning it got pretty chilly sitting around between takes but there was a lovely chap who draped a sleeping bag over me whenever there was a long enough break, and I was plied with hot drinks all day. The director and film crew were a real pleasure to work with and the owner of the plot we used came and had a look. She asked me for an autograph for her son, which was nice, and apt.
That was in January. Now, at the end of March, the ad is actually going live. A couple of weeks ago I went down to London again to record the longer poem for radio, and it will be in print too. I have been paid for every stage of this project, and also for a day writing poems on demand at Nationwide’s conference for all their employees, at the NEC. Some of the employees wrote poems of their own saying how much they enjoyed their work. I very much enjoyed mine too, and this collaboration between poets and a building society, brokered by The Poetry Takeaway, is doing a great job of bringing a variety of poetry into people’s homes and raising the profile of poetry and poets.
I’m very pleased to be the Gallery 202 Featured Artist for October. Their invitation gave me the chance to create an overview of my work through 10 specific pieces and I’m delighted with how it looks http://www.gallery202.co.uk/#!featuredartist/c1rbz
One of the pieces up there is Halloween Nightmare which I wrote and recorded years ago. It gets several airings at this time every year and people often tell me how much they enjoy hearing it again. On Monday evening 8.00-10.00 Radio Wildfire will be streaming a Halloween special and since my name is on the playlist, I’m assuming my exaggerated tale of doorstep horrors will be included there too http://radiowildfire.com/ There is a poem of mine, Iron Men, currently playing in the Radio Wildfire Loop as part of a surprising mix of words and music.
Finally here’s a plug for my event in Kidderminster next week. One of the tasks undertaken by The Worcestershire Poet Laureate is to put on an event on National Poetry Day so, in collaboration with Worcestershire LitFest and the Museum of Carpet, I will be presenting Light and Shade, Thursday 8th October, featuring a number of talented Worcestershire poets.