Heather Wastie writes poems, songs & monologues. This blog began with her oral history project with people who worked in the carpet industry in Kidderminster. Her carpet industry related pieces appear on this blog and in her book http://blackpear.net/authors-and-books/heather-wastie/
‘…the timeless quality of the stories and descriptions of village events make it just as much a love letter to every village community in Britain.’
This lovely review (see below) was published in Towpath Talk (January 2020). I hope it’s big enough for you to read! You can also read it on the Lapal Publications website where copies of the book are on sale.
At this difficult time, I hope these words and illustrations (both in the review and in the book) brighten your day. Wishing you a Happy New Year wherever you are.
Ask two poets to write on the same subject and their poems will almost certainly look quite different from one another. Next Thursday, 19th November, I’m running an online poetry workshop for Alarum Productions with a few tips on how to shape a poem. How long will the lines be? How long will the poem be? Will it be separated into stanzas? Will there be some rhyming going on…? The subject of the poem will be the writer’s choice and anyone who likes to write is welcome. Inspired by poems from published poets, we will write our own words and play with arranging them on the page.
In order to support those on little or no income, one place will be free of charge. Click here for full details and to book. (Kate’s workshop has already taken place so scroll down a little way for the relevant info.)
I’ve published eight poetry collections. Here I am signing copies of The Muck and Shovel Brigade, commissioned by Canal & River Trust for The Ring project in 2018. The photographs in the book are by Max Sinclair (featured in yesterday’s blog about The Battle of Stourbridge) and one of the poems is dedicated to him. I’ve copied that poem below. It can also be seen on a display board alongside the lock at Vines Park, Droitwich.
The waterside his playground, he loved the thrill of Severn barges, the grace of steamers.
Delighted by freeze and frost, he skated the cut to Droitwich, played ice hockey matches at Hanbury Wharf.
At Hawford he watched Italian prisoners fill in the channel, block it with concrete for D-Day tanks, sever the cut,
butcher Brindley’s beautiful bridge, too steep, too lightweight for war.
His beloved canal abandoned, water seeping away, one day he wrote to the Birmingham Mail, and that’s how it started.
Battling the threat of M5 spoil, three hundred thousand tons of mud and soil and a tangle of hostility and inertia,
whether caked in mud, shovelling dirt, or dressed in a suit for persuasion, he knew the value of patience, grit and determination.
I decided to tell this story in a poem when I came across a series of photographs on the Inland Waterways Association website. Since writing the piece, IWA have revamped their website so the photographs are no longer there, but luckily I found a different source. Here’s my favourite. The boat is Vesta, owned by Max Sinclair who is standing at the tiller. Almost in the centre of the shot is a woman looking after two of Max’s children. One of them is Ian, who kindly sent me the photographs.
As you can see the (original) photo caption doesn’t mention the woman or children by name; I’m not convinced they were in mind when the word ‘everybody’ was used either. Most of the photos were taken by Phil Hutchings though Max probably wrote the caption, and, together with the other shots, have an immediacy which draws us into the drama of trying to get these boats up the Stourbridge arm in 1961.
And I know how exciting it must have been. In fact I was probably there because my mother remembers it. She told me that, while the long line of boats waited behind Vesta when it was stuck under a bridge, she carved up a cake she had on our little cruiser and handed out pieces as far as they would go to hungry people on the adjacent craft. A few years later we had our own 70 foot historic boat, struggling to move it on the neglected canals and determined to do everything we could to get them restored.
I wanted to write a poem which put the photos into context and expressed the spirit and dedication of the enthusiastic volunteers. The piece, as text and video, is on the Creative Black Country blog. It’s also on my YouTube channel. I feel a bit bad that the woman in the middle of the action isn’t mentioned in my poem. One day I’d better have a go at writing something just for her.
Having blogged about the three other artists I commissioned – Alex Vann, Al Barz and Lou Blakeway, it’s time to tell you about my pieces, commissioned by Creative Black Country. Here’s the first:
It was so good to have a creative project to get on with during the first lockdown. My car MOT was due, so I drove to Pym’s garage in Netherton, Dudley which I’ve been using since I first had a car. I was a bit nervous about being out but it was an opportunity to walk along the canal behind the garage in an area which has been landscaped, belying its industrial past. Warren’s Hall, Bumble Hole, Windmill End… this picturesque area has several names, and on this particular day the reflection of the latticed arches and the cloud formations attracted my attention. So I took lots of photos. Here are some of them:
Up to that point I hadn’t decided what I would write about for either of my Bostin News commissions. I knew I wanted to focus on Dudley, and as I took these photos it occurred to me that these three bridges would make a good subject. That’s how I came to write Three Bridges, Four Tunnels.
I used Canals of Birmingham and the Black Country, No. 2 in the Historical Canal Maps series, as well as consulting online sources, to help me learn about the history of the area. Although I had been there many, many times over the years, I didn’t know much about the industry or the full story of why the canal arms which travel under two of the bridges are dead ends. Using the bridges as starting points, I wrote a set of three poems and was lucky enough to be able to commission Lou Blakeway to create some atmospheric linocuts of the bridges to go with them. Click the link above to see the video, the linocuts and the the text of the poem.
As Creative Black Country #BostinNews editor, I commissioned three artists. I’ve already shared work by Alex Vann and Al Barz. The final work is by visual artist, Louise Blakeway.
Lou Blakeway lives in Sandwell. Her work is concerned predominantly with form, space, line and colour. During lockdown she began drawing what she could see in and around her house and recording her immediate surroundings, sometimes making pigments from plants and earth. She shares her art on Instagram through her own page and that of General Office Gallery. Do take a look. I love her work.
When I commissioned Al Barz for the Creative Black Country #BostinNews project I knew he’d come up with something special. Given the theme of Water & writing about Walsall, Al created a poem & video which tells a story created from local history which is very relevant to today. I love his armchair storytelling! There’s a link to the poem at the bottom of this post. Here’s what Al said about the commission:
For Spoke, my monthly poetry entertainment event at Brownhills Community Centre, Martin Hughes has been creating A5 flyers for me and delivering them to my house with a little cartoon of himself on a Post-It. “I’d love to see what more he can do”, I thought.
Sandfields is a historically important part of the Black Country heritage that only came about because of a pandemic. I signed up for its newsletter from David Moore of Lichfield Waterworks Trust a few years ago. They have saved it from being lost forever and I’ve been amazed at the huge amount of restoration work carried out by their team of dedicated volunteers.
When Heather Wastie approached me to be involved in Bostin’ News, I could see an exciting way of bringing possibilities together. A poem from me, cartoons from Martin, and all based on the tremendous achievement of Walsall’s life-saving water supply at Sandfields.
During coronavirus isolation we were unable to have our regular event, so I created SpokeScreen, a poetry video composed of clips from eight local poets in lockdown and a book launch by a Black Country author. The skills developed for that have helped enormously towards editing together “Rising From A Pandemic”, a video combining poetry, cartoons, archive photographs and heritage. Bostin’ News indeed!
Thursday 1st October is National Poetry Day – the perfect day to launch my new poetry collection. I can’t believe it’s my eighth! And I’m exceedingly lucky to have been able to make a short film about it with James McDonald from Clear Picture Productions Ltd. As well as readings of some of the poems, the film describes how the book was created in collaboration with illustrator Louise Regan.
Background to the book
In June 2019, I arrived with my note book and pen in the Oxfordshire village of Cropredy, with the aim of writing poems about what I discovered. My inspiration for the pieces I wrote came from buried skeletons, a jackdaw, the Battle of Cropredy Bridge, the churchyard, the short mat bowls club, the canal, street names, love… and, of course, the annual Fairport Convention music festival. When I came across Louise Regan’s artwork in a gallery, I was immediately attracted to it and she agreed to illustrate my poems! “Producing the illustrations for this book has been a joy,” she says. “I hope, in my drawings, I have captured the essence of our lovely little Oxfordshire village which is so welcoming and brimming with life.”
To watch the film premiere on YouTube on Thursday 1st October at 7:15pm follow this link. There’s no need to sign in to watch, but if you do, you can set a reminder in advance, feel the buzz of the countdown, take part in the chat and add a comment if you like. If you can’t make 7:15 on Thursday, it will be available to watch after the premiere at any time.
To buy the book
To the Future, Love Cropredy is available from Lapal Publications, price £12 plus postage & packing.
Not long after lockdown started at the end of March I applied to become a content editor for a Creative Black Country project called Bostin News. Together with three other editors, alongside producing our own pieces of work, we were also able to commission other creatives from across the Black Country. This blog is the first of several in which I will share links to the work produced.
I commissioned three other artists working in different disciplines, and created two pieces myself. We each responded to our chosen theme of ‘Water’, thinking also of Black Country locations.
Alex Vann is a singer/songwriter and visual artist based in Wolverhampton. Real Arts Workshops run a weekly arts session with residents of Mossley estate, near Bloxwich, Walsall (online during Covid). Alex worked with the group to write a poem about a visit to Sneyd Reservoir, set it to music and created a video incorporating art by the group. To find out more about how this beautiful song was created and to watch the video, click HERE.
As an unexpected bonus, the group entered their poem ‘The Bliss of Solitude – Ode To Sneyd’ into the Mossley residents’ newsletter poetry competition. They were over the moon to win a £20 Amazon voucher for their entry. The voucher has been used to purchase art materials for the group so they can get busy creating more artwork!
Tomorrow at 4.30pm, you can hear writer, performance poet, Wolverhampton Poet Laureate and good friend Emma Purshouse exploring Black Country dialect on BBC Radio 4.
In a programme made during lockdown, Emma considers the impact of industry, heritage, landscape, and the changing nature of close-knit communities upon dialect writers, of whom I am one. I’m really looking forward to hearing which bits of our interview she selected for inclusion. There’s definitely a poem – I know that much. And it will be great to hear the voices of lots of folk I know too. Do join us by tuning in tomorrow at 4.30 or listening when you have half an hour to spare. Here’s the link: